Hop Hideout Craft Beer Shop Sheffield Buy Beer Online

James Beeson

Shine A Light: Saint Mars of the Desert

Shine a LightHop Hideout
Using their ‘koelship’ to intensify their beer flavours….Photo: Hop Hideout

Using their ‘koelship’ to intensify their beer flavours….

Photo: Hop Hideout

Shine a Light: Saint Mars of the Desert

As far as names go, this Sheffield microbrewery’s doesn’t exactly roll of the tongue. It’s a good job then, that their beers are remarkable enough to demand you pay them attention. “I don’t think it’s a breweries job to even think about beer styles per se,” says Dann Paquette, in his signature Boston drawl.

“We try to make what we make as good as possible. If it goes out of style category, that’s for someone else to worry about.”

Dann and his partner Martha have rarely done things by the book. The duos previous brewery, Pretty Things Beer & Ale Project, was so wildly successful that they could have quite conceivably sold up and kicked off into the sunset. Instead, in 2015, they shut down the cuckoo brewing project and, after two years traveling, arrived in Sheffield, where they found a home to set up The Brewery of Saint Mars of the Desert (SMOD).

Boston’s loss, has been Sheffield’s gain, but it so nearly wasn’t this way. Enticed by the idea of brewing in a rural, farmhouse location, Dann & Martha almost settled in a small French village (from which SMOD now takes its name). In the end, however, Sheffield, with its rich brewing history, won the day. Setting up shop in Attercliffe, an industrial suburb in the north-east of the city, and brewing on a 10hl kit complete with coolship, SMOD has been quietly establishing a reputation as one of the UK’s most exciting, yet unconventional breweries. While New England IPAs are a feature (somewhat inevitably given Dann spent much of 25 year’s brewing experience in actual New England), both stylistically and in terms of flavour profile, there’s a huge amount of variety - and not a whole lot of predictability - in the brewery’s output.

DSC02364.jpg

Take, for example, its Hopfenpils World Lager, which is brewed with a combination of new-world, Southern Hemisphere, and traditional noble hops, and mashed using an old-world European souring technique. The result is a balanced and exceptionally drinkable lager with tart, refreshing character, lingering hop bitterness and enough complexity to keep you coming back for more.

“To me, all the good beers are like that,” Dann says. “Sure, if you buy a can and drink it alongside a 13% chocolate what-have you, it might not stand out, but if you want to take the time with it, as Martha and I frequently do - we both analyse these things endlessly - you’ll taste things that are embedded in these beers.”

The complexity in other SMOD beers is more immediately obvious. Inspired by the brewing traditions of Europe, the brewery produces regular releases of rustic, mixed-fermentation pale ales. One such beer is Mixto - produced as a celebration of The Independent Manchester Beer Convention (Indy Man), which this year, like so many other festivals, was sadly unable to take place. To the eye, there’s nothing particularly to distinguish Mixto from countless other pale ales on the market (aside from its wonderful, foamy, effervescent head - we’ll get to that later). Take a sniff, however, and things start to get a little weird. Sure, there’s orange, tangerine and other more tropical fruit notes, but underpinning it all is the unmistakable funky, leathery smell of fresh Brettanomyces. To taste, the beer is something of a hybrid - a modern pale ale, with fresh citrus and an underlying sweetness, balanced by more complex Belgian characteristics.

“We’re looking to create a house character that’s not, you know, the more esoteric sense of place that you hear people talking about, but is about the brewery itself,” Dann says. “We like beers that have all the benefits and all the faults of our processes here.”

One theme that runs throughout SMOD’s beers is their remarkable head-retention. Dann attributes this to the brewery using whole-leaf hops, and passing the wort through a stainless steel basket on entry to the coolship. The end result is a head that’s soft, loose and fluffy, but lingers on long after the can has been poured.

“Yeah, it’s dreamy that,” Dann remarks, almost whimsically. “I love it. I’ll never go back. I always say it’s what real beer looks like. And you know, that’s literally just from running into a coolship and using a very small quantity of hops.”

One consequence of this process, is that some of SMOD’s beers don’t always come out exactly as intended. Take Leavy Greave, the brewery’s New England-style Double IPA. Made using whole-leaf Mosaic hops, Dann had hoped the finished beer would give off huge, overripe fruit flavours.

“We had a hop that we thought was going to give us massive fruit character,” Dann tells me. “But it tastes a little bit more of a tobacco-like flavour, and the booziness is crazy! I’ve always been known as someone who makes strong beers tastes like low gravity, So it’s an odd one!”

That’s not to say the beer is without its attractions, however, and drinkers who are into big, boozy, piney Double IPAs will certainly find something to enjoy here. But a classic, juicy, smooth New England it is not. Perhaps though, given SMOD’s distain for sticking to traditional style guidelines, that’s all part of the charm.

Next on the release radar for SMOD is a series of Abbey inspired beers including a Belgian-style Quad. If the brewery’s beers to date are anything to go by, these should be right at the top of any beer geek’s Christmas list.

(Note from Hop Hideout - the Smod Belgian beer range was so popular we sold out really quick! We do have a limited supply of their Quad left in store HERE).

DSC02783.jpg


James Beeson is an award-winning beer writer and photographer. To see more of his work follow him on Twitter and Instagram for links.

Shine A Light: Rock Leopard Brewing

Guest Blog, Shine a LightHop Hideout1 Comment

Shine a Light: Rock Leopard Brewing

photo courtesy of Rock Leopard Brewing

photo courtesy of Rock Leopard Brewing

Few breweries have suffered as a result of COVID as much as Rock Leopard Brewing, but this hasn’t stopped founder Stacey Ayeh from using his brewery as a platform to champion causes he believes in.

Around ten minutes into my chat with Stacey Ayeh, the charismatic and passionate owner of Rock Leopard Brewing comes about as close as anyone I’ve had the pleasure of meeting to summing up exactly what craft beer means.

“Craft beer is a space to make a difference. To me when you talk about craft beer, it infers something that is greater than the liquid in the glass. It infers doing right by your staff, not cutting corners with your production process, so why shouldn’t it also be a means to try and achieve something?”

Achieving positive change is something Ayeh has made a pivotal part of the identity of his brewery in its short lifetime. As a prominent black-brewery owner, Ayeh has championed diversity through collaborating on Step Up, a Stout with Manchester’s Cloudwater Brew Co that raises money to help “those facing society’s biggest hurdles”. Teaming up with four other gypsy brewers also contract brewing out of Missing Link Brewery, he’s taken part in Other Half NYC’s All Together Initiative to raise money for Hospitality Action. Most recently, he has brewed How Are You On Your Good Days, an 8% DIPA brewed in response to the #BlackLivesMatter movement.

“On a personal level if I see something that is unjust I won’t stay silent,” he tells me. “If I can get involved and try and help then I will. I don’t see why that can’t be a part and parcel of my business.”

It’s an admirable statement, particularly for a brewery that has been so heavily impacted by the events of the last few months. After brewing with Cloudwater in February, demand for Rock Leopard’s brews soared and the brewery was just beginning its first major foray into the on-trade when pubs were forced to close. Luckily, Ayeh has been able to call upon the support of loyal bottleshops such as Hop Hideout, allowing him to continue brewing throughout the pandemic.

photo: James Beeson

photo: James Beeson

One such beer is Savage Scene, a 4.9% ‘Inner City Pale’ that forms a part of Rock Leopard’s core range of beers. Hopped with Mandarina Bavaria, Nugget and Cascade, and fermented out with a clean yeast strain its classically West Coast in style. To taste, it’s clean, restrained and balanced, with big tropical top notes and aromatics of citrus fruit and pine. Even in an era dominated by juice bombs, it’s exceptionally drinkable, with just enough bite to feel like a throwback to a bygone age.

If Savage Scene feels like a slight throwback, then How Are You On Your Good Days is a full on wave of nostalgia. A proper, old school West Coast DIPA, it’s a supercharged version of the brewery’s core range Distant Cousin of a Mu Mu Cat, hopped with Centennial, Columbus, Azacca and Mosaic. Despite its strength, there’s minimal alcohol burn, with grapefruit, tangerine and pine on the palate.

photo: James Beeson

photo: James Beeson

True to form, Ayeh has little interest in discussing tasting notes, instead regaling me with the story of the beer’s name, taken from a speech by US black-right’s activist Jordan Jr (AKA Pharaoh Almighty). Jordan Jr. was arrested after peacefully protesting and kneeling in front of riot police in Charleston, South Carolina, and Ayeh has pledged to donate a portion of the beer’s profits towards his bail fund (the remainder will go to community-based non-profit initiative Sistah Space in Hackney).

“Drinking beer and talking about beer is great, but I can only talk so much about beer itself until I get bored,” he says. “I want to talk about other things when my mind is it that loose state after a few beers… I want to talk about things that we can do to make a positive difference.”

The combination of exceptional West Coast style beers and strong sense of social responsibility is a powerful marriage, and speaking to Ayeh, you get the sense that in Rock Leopard here is a brewery that truly believes it does not and cannot exist in a vacuum, and that is surely something worth celebrating.

James Beeson is an award-winning beer writer and photographer. To see more of his work follow him on Twitter and Instagram for links.


Shine A Light: Indie Graft

Guest Blog, Shine a LightHop HideoutComment

In our new series called ‘Shine a Light’ beer communicator James Beeson picks up the spotlight to showcase some brilliant beers, the breweries, processes - both practical and creative and most importantly the people behind them.

First up Donzoko’s collaboration with Hop Hideout and forty UK independent beershops - Indie Graft.

Shine a Light: Indie Graft

photo: James Beeson

photo: James Beeson


I absolutely adore the pub. I go absolutely ga-ga for pints. I think I might actually be in love with cask ale. It may come as a surprise to you, therefore, when come July 4th, I found myself not stood with a pint in a beer garden, but placing yet another order online with my local bottleshop.

Bottleshops have been my saviour throughout lockdown, and for many independent breweries, they’ve also been a lifeline when other routes to market closed. One such brewery is Donzoko, the one-man tour de force that is Reece Hugill. Donzoko found itself unable to access grant support for his business, and without the loyalty of his customers and local bottleshops who continued to order, would surely have not survived the last few months.

Hop Hideout has long championed Donzoko’s beers, and saw an opportunity to collaborate with Reece on a beer to champion the independent beer shop sector. Pulling together support from a group of like-minded retailers, owner Jules Gray suggested a collaboration that celebrates the symbiotic relationship between brewery and retailer.

The collaboration is a vinous version of Donzoko’s hoppy Belgian inspired pale, Graft. Brewed with Nelson Sauvin and fermented with Beaujolais wine yeast, its available exclusively through independent beer retailers across the country.

photo: James Beeson

photo: James Beeson

Out of the can, the beer pours a pale, translucent yellow, with a huge, fluffy white head that has become Donzoko’s signature. Glowing gently in the setting Saturday sunshine, it’s an appealing prospect. A generous dosing of Nelson in the dry hop means that on the nose, Indie Graft is a pure gooseberry and grape, with a hint of freshly mown grass. A malt bill featuring spelt and buckwheat creates a full bodied, silky and pillow-soft mouthfeel, almost NEIPA-esque despite the obviously vinous quality running through the beer.

To taste, there’s more rich, fruity, gooseberry and white-wine flavours, balanced delicately with notes of banana, bubblegum and just an edge of pepper. It finishes off-dry, with a moderate astringency that leaves you thirsting for another gulp. Ironically, Indie Graft is exactly the kind of beer that demands to be drunk in the pub by the pint. It’s supremely balanced, effortlessly refreshing yet subtly complex.

James Beeson is an award-winning beer writer and photographer. To see more of his work follow him on Twitter and Instagram for posts.

Grab a can of Indie Graft from Hop Hideout.



photo: James Beeson

photo: James Beeson